But once I'm done with it, I want something new. I'm sort of done with that phase of my life, and I love really digging in and exploring juicy, meaty underbellies of humanity. I've been rounding my age up to 40 for a while now. ![]() Now, I'm thankfully leaving that all behind and becoming like an actual adult and getting to play actual adults. Obviously, what I did at 11 is gonna be different from what interested me when I was a teenager, or what interested me when I was in my 20s or 30s. I've gotten to play with some really amazing humans.īut as far as the eclectic or random nature of it, I've been growing up this whole time. You either have it or you don't with people, and I've been very fortunate that I've been in the stumbling path of a lot of incredibly talented, brilliant people over my career. That's one of those sort of chemistry things that you can't really legislate for, or completely control. Whether or not you click with them, and you're inspired by them, and you're on the same page. How do you choose your projects?Īnna Paquin: For me, material and quality of writing, and who the creative people around the projects and involved in it are, is everything to me. You have such an eclectic range of roles that don't fit into any one box. We don't need to give them any notes on that front. He has picked a little from here and a little from here. Have you been able to suggest some of the stories you've heard to the writer, Oliver Lansley?Īnna Paquin: He is a goldmine of twisted, beautiful little gems.
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